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Famous Photographs that Changed the World
Famous photograph of Afghan girl
National Geographic 1985

         ABBOTT, Berenice
         ADAMS, Ansel
         ADAMS, Robert
         ARBUS, Diane
         ATGET, Eugene
         BELLOCQ, Ernest
         BERNARD, Bruno
         BLOSSFELDT, Karl
         BOURKE-WHITE, Margaret
         BRASSAI
         BRAVO, Alvarez
         CALLAHAN, Harry
         CAMERON, Julia
         CAPA, Robert
         CARTER, Kevin
         CARTIER-BRESSON, Henri
         COBURN, Alvin
         CUNNINGHAM, Imogen
         CRIME PHOTOGRAPHER: Weegee
         DeCARAVA, Roy
         DOISNEAU, Robert
         EBBETS, Charles
         EGGLESTON, William
         EISENSTAEDT, Alfred
         EVANS, Walker
         FENTON, Roger
         FRIEDLANDER, Lee
         GOWIN, Emmet
         GUTMANN, John
         HINE, Lewis
         HINE, Lewis [New York]
         HOPPER, Dennis
         HURRELL, George - BULL Clarence
         KARSH, Yousuf
         KERTESZ, Andre
         KLEIN, William
         KOUDELKA, Josef
         LANGE, Dorothea
         LEVITT, Helen
         MAPPLETHORPE, Robert
         NEWTON, Helmut
         PAGE, Tim - HAAS, Ernst
         RIEFENSTAHL, Leni
         RAYMOR, Paul Stone
         ROLLING STONE: Photographers
         STEICHEN, Edward
         STIEGLITZ, Alfred
         WORLD FAMOUS PHOTOGRAPHERS

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A Star Is Born
10 Actor who owe their success to 2nd-choice casting
Typecasting is at once the making or breaking of an actors career.
 The studio system had complete control over which role would be in their best interest. However, not always were the directors able to get the lead actor  and then had to offer the role against typecast or to a complete unknown actor

Cat On A Hot Tin Roof 1958

  Today we can no longer imagine any other actor in these Hollywood classic films. Can you imagine CAT ON A HOT TIN ROOF starring Grace Kelly? Not for a minute. Liz will always be remembered as Maggie the Cat




When producer David O Selznick insisted that only a Clark Gable type would do Rhett Butler justice, over author Margaret Mitchell's choice of Errol Flynn for the lead. Selznick decision is proof enough that this visual metaphor works. For 68 year later, the names Gable and Rhett are still drawn in the same breath, despite the fact that he went on to make another 28 movies, Gable as Rhett will always be synonymous.

Gone With The Wind 1939

Had director Michael Curtiz's intuition over-turned Warner Bros first choice, Ronald Reagan surely CASABLANCA could not been the cinematic classic it is today

Casablance 1942

Mae West was first choice however it was to become Gloria Swanson's swan song in Billy Wilder's SUNSET BOULEVARD. As Wilder recalls, Mae West was so offended by the offer she did not speak to him for several years

When trying to put a face to his  male lead Wilder saw Montgomery Clift before he gave William Holden the part. Initially, Monty did not regret his decision. He quipt, "The script had holes in it that I couldn't ignore." When BOULEVARD become a classic, Monty recanted: "Billy, should've tried harder to get me interested." 

Sunset Boulevard


Robert Redford flatly turned down the lead role in THE GRADUATE. Bob's misguided decision, created a career opportunity for unknown actor, Dustin Hoffman

Doris Day as Mrs Robinson in the GRADUATE? Certainly not - unless you can see beyond the myths created by the Hollywood dream machine

The Graduate

Destiny made Judy Garland the quintessential Dorothy in WIZARD OF OZ because Shirley Temple was unavailable

Wizard of Oz
 

Ingrid Bergman walked away for you role in  ANASTASIA. The director Anatole Litvak had actress Jennifer Jones as his first choice.

Anastasia 1956
 

Director Elia Kazan was forced to use Vivien Leigh as his Blanche du Bois in A STREETCAR NAMED DESIRE when Olivia De Havilland informed him that a lady just didn't say and do those things on screen.

A Streetcar Named Desire 1951
 

Producer Robert Evans wanted his wife, Ali MacGraw to follow her success in LOVE STORY in THE GREAT GATSBY but neither Jack Nicholson nor Warren Beatty were interest in having Mrs Evans play Daisy. "Nothing personal," they argued, "But Ali just can't act." 

The Great Gatsby 1974
 


Vivien Leigh thinking herself too young
for the role in SUDDENLY LAST SUMMER
made Kathrine Hepburn into a star


For THE DEFIANT ONES Wilder saw Marlon Brando as the racists white-man chained to a black-man. What Wilder thought to be a simple matter of typecasting turned into a farce, as he explains: "First I went to Brando, and Marlon said, "Yes, I'll do it, but I want to play the black man"  So, I asked Kirk Douglas. He said, "Yes, I'll do it, but I want to play both parts." Interestingly, before the lead  went to Tony Curtis, Wilder even considered Elvis Presley


 


 


Several Academy Award winning performances came about as the result of  second choice casting. Monty Clift said that he couldn't relate to the role of a ex-prizefighter ON THE WATERFRONT which landed Marlon Brando an Oscar. 


 

Fate dealt trumps for Peter O'Toole after he was cast by director, David Lean as Lawrence in LAWRENCE OF ARABIA because Albert Finney turned down the role. 


 



STARS WARS brought Harrison Ford fame but his stardom was not totally consolidated until he took over as a last minute replacement for Tom Selleck as Indiana Jones in RAIDERS OF THE LOST ARK 

A studio whim created an opportunity for turning soapie-star PEYTON PLACE Mia Farrow into a movie star. Polanski wanted Tuesday Weld, for his ROSEMARY'S BABY but Paramount insisted on Farrow. They sought to cash on the fact that Mia had married Frank Sinatra 


Did you know in 1963 and in 1967 Robert Redford lost two great starring roles? The first, by a quirk of fate, the second his own mis-judgment. When  Roman Polanski wanted Redford for the role of Rosemary's husband Guy in ROSEMARY'S BABY Paramount stepped in and legally stopped negotiations - much to Robert's dismay

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