Most studios ignored the restrictions, because there was no enforcement that was effective, and they knew that film-going audiences wanted to see
such scenes that were being blacklisted. A number of notable films produced in the early 30s before 'The Hays Code" showed women using their sexuality to get ahead, such as in the taboo-breaking comedy Red Headed Woman (1932) starring Jean Harlow

Showgirls
1995
The
crown
jewel
of
Paul
Verhoeven's
salute
to
Vegas
sleaze
features
Elizabeth
Berkley
(Nomi)
and
Kyle
MacLachlan
(Zack)
locking
lips
and
various
other
appendages
for
two
and
a
half
minutes
of
pure
eroticism.
Set
in
the
tackiest
backyard
pool
Nomi
goes
for
a
skinny
dip,
marvelling
at
Zack's
mildly
disturbing
water-puking
dolphin
statues
and
then
jumping
him
for
a
brief
violent
lovemaking
session.
To
MacLachlan's
credit,
he
can
barely
keep
the
"What
is
this
crazy
chick
doing?"
look
off
his
face
as
she
repeatedly
throttles
him
in
the
chest.
Not
to
insult
Berkley's
sex
life,
but
either
she's
been
doing
it
wrong,
or
the
rest
of
the
human
race
is.
Verhoeven's
underwear
ripping,
finger
sucking
and
love
scenes
that
teeter
on
the
edge
of
parody.

Irréversible 2002
Gaspar Noé wants us to see the loathsome side of the human
condition. The notorious French provocateur's follow-up to 1998's "I Stand Alone"
this movie is set in backwards chronology à la "Memento," with literally dizzying
camerawork and featuring, in its disgustingly violent half hour, nearly inaudible
soundtrack that's known to cause vertigo. "Irréversible" is an audacious battering of the senses, especially near its midpoint.
Alex (the beautiful Monica Bellucci) has just stormed out of a party after fighting with her boyfriend Marcus (Vincent
Cassel, Bellucci's real-life husband) when she accepts a streetwalker's advice to
take the scary, red-lit underpass. Alex is assaulted by a man who's lost interest in
a hooker he's been beating up. Threatened with a knife and thrown to the ground, Alex is beaten into a coma
for nine
minutes, as she screams into her attacker's hand.

Ma Mère 2004
With the whipping of a hooded slave to within an inch of his life, it's hard to single out
just one sex scene in Christophe Honoré's, shocking "Ma Mére," an adaptation of Georges Bataille's
infamous novella in which a whorish widowed mother (Isabelle Huppert) turns her devout son (Louis Garrel) into a
deviant headcase by introducing him to the Canary Islands' world of
Euro trash.
Despite this French erotica's numerous scenes of limp carnality which features Garrel's
still reeling from the fact that his mom just killed herself with an knife while staring at her corpse as "Happy Together" plays
in the background. Garrel's self-gratification is intended to be a desperate, primal scream.

Myra Breckinridge
1970 "I shall ball you Rusty. It's very simple," says transsexual Myra Breckinridge (Raquel Welch) as she bends over her
unsuspecting student on an operating table. As her counterpart Myron (film critic Rex Reed) giddily looks on in an
empty movie theatre. Then Welch straps on a dildo and rapes Rusty whilst wearing a red, white and blue bathing suit.

Eyes Wide Shut
1999 If you've ever been to an orgy, you know it can be a fun yet awkward, ridiculous affair. In fact, the awkward
ridiculousness is exactly what makes it fun, which is why this particular orgy is no fun at all.
It looks as if it were
choreographed by Larry Flynt all nuance and spontaneity has been carefully extracted and destroyed, each pair or
threesome is either thrusting mechanically or rubbing each other in congruous circles. It's enough to drive even Tom
Cruise to antidepressants.

Miami Vice
2006
Jetting fast across the Caribbean in a high-powered drug dealer speedboat,
while blasting Patti LaBelle song then a quick round of Mojitos at a cool harbor bar in Havana, a
little dancing and then gloomy love scene
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