William Klein's  photos, often blurred or out of focus. His produced high-contrast prints,   negatives were often severely over-exposed ands use of high-grain film with wide angles to shock the established order of the photography thus earning a reputation as an anti-photographer's photographer. Klein inspired by Moholy, Nagy and Kepes he began to experiment with juxtaposing abstract painting and photography.  Liberman, director of 'Vogue' USA met Klein at his Parisian Sculpture Exhibition. Fascinated by Klein's his sculpture (kinetic light panels on glass) and photographs he invited Klein to work for Vogue in New York